Visual Novels and Other Visions: An Interview With Hanako Games
As places to discover and publish games seem to be growing more accessible, we often take for granted how interests of the previously niche were hard to find and unapproachable, especially in online spaces. Although tracking down obscure media remains a challenge—and games preservation in particular remains a contentious issue—the influences left by fleeting memories of something seemingly lost has inspired many developers today to turn what was old into something new for contemporary audiences to indulge in.
Otome games, story-based games that originated in Japan targeted towards women, for example, have seemingly left an imprint on visual novel and romance elements that exist in games of other genres. I had an opportunity to discuss that question and more with Georgina Bensley, founder of Hanako Games. We discussed what goes into doing work as “Hanako,” and how the continuously changing landscape of the games scene—especially for independent games development—has offered both challenges and opportunities for visual novels and other forms of interactive fiction. From its early beginnings working within the narrow scope of its influences through Cute Knight, to expanding into even wider themes with more recent titles like Night Cascades, Hanako Games has every intention of growing its library while continuing to work in an ever-evolving industry.
Elvie somehow finds bliss in purposefully complicating the art of storytelling and undertaking the painful practice of animation. If you see her on Twitter at @lvmaeparian, she is doing neither of those things. She currently helps with managing the socials to ensure that the secret recipe will never be revealed.
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