by Melissa Brinks | Jan 3, 2022 | Essays, Opinion, Video Games
I was a reluctant latecomer to Red Dead Redemption 2. Before my husband insisted that I play it, I was certain I wouldn’t like it—I’d been disappointed by recent critical darlings in the AAA sphere, I’m always hesitant about Rockstar games (I conveniently forget how much I enjoyed the first Red Dead game as well as L.A. Noire and Bully, though their labor practices are still terrible), and who has time for a 60+ hour game, anyway? (more…)
Melissa Brinks is Sidequest’s editor in chief, co-creator of the Fake Geek Girls podcast, author of The Compendium of Magical Beasts, and an aspiring beekeeper. She once won an argument on the internet, and tweets at @MelissaBrinks.
by Melissa Brinks | Dec 13, 2021 | Essays, Features, Video Games
There are lots of things I like about conventions, but none of them are as important as shitty wrestling games. Specifically, shitty wrestling games at PAX. Even more specifically, League of Heels, a… thing that is very difficult to describe. Your favorite figures of the gaming industry (critics, commentators, journalists, developers, and so on) dress in wild costumes and step into wrestling heel personas. After some 45 minutes of introductions, lore, and trash-talk (this is not an exaggeration), the remaining minutes of panel time consist of an extremely rushed elimination tournament where those heel personas duke it out in a terrible wrestling video game. Sometimes hot dogs are thrown. Sometimes a fog machine and/or confetti cannon sets off a smoke alarm. It’s pure and utter chaos. (more…)
Melissa Brinks is Sidequest’s editor in chief, co-creator of the Fake Geek Girls podcast, author of The Compendium of Magical Beasts, and an aspiring beekeeper. She once won an argument on the internet, and tweets at @MelissaBrinks.
by Melissa Kagen | Nov 29, 2021 | Essays, Video Games
About a week after we returned from our honeymoon, my cute new husband took it upon himself to install a dozen hooks above the oven. Upon these hooks, we would hang our pans and coffee mugs, and also our hopes and dreams. We had spent the last year apathetic about our messy nest, unable to do much of anything, much less something so ambitious as hanging cup hooks. We’d watched spills on our two-degree-tilted counter drip slowly from sink to floor over the course of hours. We’d accumulated mournful cabinets overflowing with plastic takeout containers that we could not bear to recycle. But now, there could be cup hooks! (more…)
Melissa Kagen is a videogame professor at Curry College. Her book, Wandering Games, is forthcoming in 2022 from MIT Press. She co-edits the Journal of Gaming and Virtual Worlds and can be found online at melissakagen.com or on Twitter @melissakagen.
by Emma Kostopolus | Nov 22, 2021 | Essays, Video Games
There are few sensations more familiar to seasoned gamers than death. Since death is a common consequence for failure in play, we consider death and its attendant rebirth a necessary part of the play process. Some of us even revel in our constant flirtation with death: at its peak in 2014, an average of forty-two Dark Souls II player characters died every second. It is through death that we learn how to play games successfully, but many games treat death as a simple rewind: when you fail, your character dies and reappears at a predetermined point in the narrative prior to the death, with no indication that the death ever occurred. Thus, while games are in many ways primed to open a discussion of mortality, most prefer to pretend mortality is a non-issue.
Roguelikes, as a genre, deal very explicitly with death as a central mechanic. There are no save points in most roguelikes, so death puts you back at the very beginning of the game, with your progress and some or all of your upgrades erased. But as with gaming writ large, many roguelikes treat death as a simple mechanic to indicate failure, and neglect its narrative opportunity. But two recent roguelikes have taken the conceit of cyclical, death-based play and baked it into their stories. And from these, a bigger conversation about our attitudes about mortality was born. (more…)
Emma is a PhD candidate in Rhetoric and Composition who studies how play impacts learning. Her words have also appeared in Critical Distance and Unwinnable. When not writing, she enjoys passing the controller between friends for runs of Silent Hill. She can be found @kostopolus on Twitter.
by Melissa Brinks | Nov 1, 2021 | Essays, Tabletop Games
My initial reaction on hearing “You have to play this game I invented” is trepidation. (more…)
Melissa Brinks is Sidequest’s editor in chief, co-creator of the Fake Geek Girls podcast, author of The Compendium of Magical Beasts, and an aspiring beekeeper. She once won an argument on the internet, and tweets at @MelissaBrinks.
by Madison Butler | Oct 11, 2021 | Essays, Video Games
“Think you could lift 185?” Anthony, my partner in life and in gym, asked me, only half joking. (more…)
Madison Butler writes about advertising by day and about video games the rest of the time. She can usually be found crying about Final Fantasy and Nier: Automata on Twitter @madisonrbutler.
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